Sunday, August 29, 2010

Exclusive New "Antithesis" Art for Fall 2010/Spring 2011 Tour


In honor of "Antithesis" closing out 2010 and moving into 2011 with a string of screenings and appearances, I've designed a few pieces art for the new posters and postcards. Expect to start seeing these in place of the original poster as we move into October (my favorite month of the year).

The new looks also go to celebrate the continued tour of "Antithesis." As of September of this year, "Antithesis" has been recognized with the following awards: 2010 Aloha Accolade Award at the Honululu Film Festival (now Honolulu Film Awards), 2010 Silver Palm Award at the Mexico International Film Festival and Runner-Up Best Fiction Film at the CUNY Asian-American Festival. We've also had the honor of screening at the Quad Cinema in NYC as selected by Cinevision's Asian-American International Film Festival.

Trying to get the film to Europe, Asian, South America Australia - EVERYWHERE. I want to come to your screen in your special corner of the globe.




This October is particularly special as the "Antithesis" team will be attending the this year's New York Comic-Con. (Hint: look for a girl with red hair and a tiger coat). We'll have "Antithesis" posters, postcards, t-shirts (!) and vouchers for the "Antithesis" special edition DVD. After 2011, "Antithesis" goes on the shelf, takes a nap and hibernates. Bad news, right? No.


The good news is that as soon as "Antithesis" completes it's touring/screening cycle, "All Tomorrow's Children" will be in late pre-production and/or production. Along the way, expect exclusive looks at locations, costumes and tons of behind-the-scenes insights into the creation of my first feature film.


What you see now are the pieces that will take "Antithesis" through 2010 and 2011.

Word. Finito.

jce






























Tuesday, August 24, 2010

Satoshi Kon: Anime Revolutionary


I was about to post a blog about some news regarding my plans for Perfect Entropy in the fall. Just as I was typing my first word, I saw a link from my trusted hometown comic shop, Star Clipper, that anime director Satoshi Kon was dead. Needless to say, it's true and it's a definite loss. It's a sad irony that we cherish so much more that which we no longer possess. An unfortunate facet of human nature is to desire that which we do not have, but even more important just to desire to desire. Get it?

When I saw him Kon speak at a weekend-long retrospective of his work at Lincoln Center, I was in awe of someone who was able to speak so plainly about the complexities of distorted realities, persona shifts, and memories blending into dreams and waking. As an anime director, his work has only been allowed a certain audience due to the nature of the form, but those willing to experience something pure and cinematically mesmerizing will gladly find Kon's work more akin to the likes of William Gibson, Francis Bacon, David Cronenberg and a hints of Haruki Murakami.

In honor of Kon, I recommend the following films. If you're a fan of Christopher Nolan, David Lynch, Luis Buñuel or you're just a trippy kid with lots of ideas of parallel universes and time, I HIGHLY suggest discovering some of my favorites of Mr. Kon's work:

(More on Satoshi Kon can be found here: http://www.flicksnews.net/2010/08/influential-anime-director-satoshi-kon.html)


These are my personal favorites , but I suggest you see them all.


<-----"Perfect Blue" - I hear that there's a Hollywood remake being negotiated. Let us hope not . . Studying this film helped me structure "Julya" and explore the idea of "self" vs. "reflection." Highly recommended for the noir, horror and Takeshi Miike fans. The first time I saw the film at the Tivoli in St. Louis for a midnight screening (8-9 years ago?), I experienced the gut wrenching excitment and anxiety of watching a masterpiece take hold of your senses and let it guide you through its mad rabbit hole. I felt it while watching "Old Boy" and "The Proposition" and select others. In an age of celebrity idolatry, reality television and paranoia, "Perfect Blue" stands a prophet to what the world would and did become. "Paprika" - More reality and persona blending mania from
Kon. Here he masters the visualization and sensations of the "mass delusion" - the shared chaos/order of perception and reality.

I've always like how this film fits in the tradition of "Persona," "Inland Empire," and "Mulholland Drive." There's something very mysterious
about an actress losing her self. Highly recommended for fans of The Matrix film (just the one), Lynch, Bergman, Fellini, mushrooms, Inception, etc. You are in for a ride.


"Paranoia Agent" - Kon's only serialized work is a very unique anime that I remember seeing late at night on cable 10 years ago. It wasn't until I lived in New York, and found out about a Kon retrospective at Lincoln Center in the Summer of 2008. Seeing the series for the first time in context and its entirety is amazing.

Imagine walking into a dark room and being submersed to a words, colors, images and various mixed media in a nonlinear blender. Six hours later you walk out a little more conscious of the world around you . . .

Amazing series about the physical manifestation of the cummulative anxieties and paranoia of an interconnected community.

Great storytelling . Take a chance and check it out.


Take the time to see, study and be in the presence of your heroes, idols and mentors as much as possible. Time spent with inspiring company is an investment, so choose well.

{Another blog to follow with exclusive Perfect Entropy news, but I had to share this}.

jce