ATC OST & Festival News

“All Tomorrow's Children," the latest film by Director Jon-Carlos Evans  previewed on Oct 21, 2017 at the University of Toronto as part of the MeccaCon International Film Festival and Black Speculative Arts Movement. In the same week, the film was included as an Official Selection of the 2017 BLOW-UP Arthouse International Film Fest Chicago.

The official “All Tomorrow's Children” soundtrack will be released on November 24, 2017 via GLITCH, the music subsidiary of Perfect Entropy Productions. The OST will be available in all digital formats , CD, and a vinyl release in 2018. The compilation features songs from experimental electronic acts such as Eiliyas, Munsha, R.J. Thyme, ReVerse Bullets, Naked Sweatshop, and Nicolo Sommer of BIINDS.

“Broken Children” by Naked Sweatshop, the first music video from the film features is available to watch online on both Vimeo and Youtube. The song comes from the group's debut EP, “Episode 001: The Tesseract Demos.”

Pre-Order the Album on Bandcamp: http://reversebullets.bandcamp.com/album/all-tomorrows-children-ost

Full OST Tracklisting:
1. Back to Zero (Film Dialogue)
2.“Broken Children” - Naked Sweatshop
3.“God is Music” - R.J. Thyme feat. Klaas von Karlos 4.“Devon's Dream” - Munsha
5.”Rubber Glove” - Nicolo Sommer (BIINDS) 6.”Time Pattern Blues”(KVK Mix) – Eiliyas 7.”Devon's Theme”-Munsha
8.”Slow Drag to a Stutter Step”-Eiliyas
9.”Devon's Dream”[Reprise] – Munsha
10.Mona and David (Film Dialogue)
11.”Knockin” - ReVerse Bullets 
12.”Snapback”-Eiliyas

Thus far, the film is confirmed to screen further on the following dates as part of the MECCACon International Film Festival. Additional festival screenings and appearances for 2018 are forthcoming.

Feb 1, 2018 – Saint Louis, Missouri History Museum
Tickets: https://www.eventbrite.com/e/bsam-stl-2018-bsamstl2018-tickets-39889038187

Feb 10, 2018: Atlanta, Auburm Avenue African American Research Center
Tickets: https://www.eventbrite.com/e/bsam-atlanta-2018-bsamatl2018-tickets-35160193084?aff=efbneb

*For further inquiries, media requests, please contact alltomorrowschildren@gmail.com 

"The Mansa Musa Affair" Artwork, Tracklisting, & New Song

"The Mansa Musa Affair" is the second solo music release from Reverse Bullets frontman Klaas von Karlos.  Today, we reveal the album cover artwork and the second single, "Lion Moon."

"The Mansa Musa Affair' is available worldwide on September 1. Stay tuned for news of upcoming shows and Official #MansaMusaAffair merchandise. 

Digital Pre-Orders:

https://reversebullets.bandcamp.com/album/the-mansa-musa-affair

Tracklisting:
Apis
Re(M)cycle Deux

Konferenz

I Can Take (You Can Give)
Alkebu-Lan
Grandmaster
Fallen
Giacomo Dub

New RJ THYME album "A Heroine's Journey..." August 9, 2016

“The Heroine's Journey in 12 Songs” the new album by Berlin-­based electronic musician/ visual artist RJ Thyme is now available for streaming. The album will be released in all digital formats, CD, and Photo Book editions on 9 August 2016 via Perfect Entropy Productions’ GLITCH music label.

RJ Thyme has been working in the audio-visual field for the past year and half, after combining his film background with ongoing passion for music. With this project the listeners are encouraged to follow the story of a young protagonist as She travels through the process of the Hero's journey as described by Joseph Campbell in book 'The Hero with a Thousand Faces.' The album is an experiment in producing a synesthetic movie experience through auditory input. The titles of the tracks and the accompanying images serve as small prompts should the listener desire a little direction. Everything else is left to the imagination.

“The Heroine's Journey” is RJ Thyme’s second release via Perfect Entropy, after having released the seven-track EP 'Sexual Transmutation' in June of 2015.  A rumoured Fall/Winter European Tour with GLITCH artists Klaas von Karlos, Munsha, and others will be announced in late August.  

For all press and media inquiries, please contact Rachel at perfect.entropy.productions@gmail.com and cc: rjthymemusic@gmail.com with the subject header “RJ Press”

“The Heroine's Journey” for Press & Pre-Orders Only

https://rjthyme.bandcamp.com/album/the-heroines-journey-in-12-songs

Tracklisting:
Stranger Transformation

Groping Walls

Waking to the Sound of...

Confusion Sits In

Licking the Wounds

A Time to be Born...

...A Time to Die

Willow-Tree

Death-Waltz

Lessons Learned

The Hall of Crystal and Bone

The Beginning of the End

Coming Home

"The Mansa Musa Affair" - New Klaas von Karlos Album

For the Glitchers, RB acolytes, and PE faithful:

While a new ReVerse Bullets album is still in the works...don't worry. It will be more than worth the wait.  For now, a new release from  Klaas von Karlos will tame the thirst.

New song and album details coming soon // Keep your eyes  and ears on Bandcamp and Reversebullets.com for the new KVK songs leading up to the release // Jackal ou†.

Jackal out.

Munsha Speaks About Her Upcoming EP - "Who Will Play After?"

11 March 2016 marks the release of the new EP “Who Will Play After” by Italian-born, Berlin-based electronic artist Munsha on Perfect Entropy's GLITCH Music imprint.. The four track outing features the eclectic cellist/vocalist/producer (birth name: Daniela Lunelli) crafting a selection of songs that range from brooding trip hop balladry to industrial dark wave with the cohesive touch of a classically trained musician.

Before the release of the album, Munsha sat down with GLITCH label founder and ReVerse Bullets frontman Klaas von Karlos to discuss the process of crafting her album, her experience living in Berlin, and more. Klaas von Karlos: What is origin of the title, “Who Will Play After?”  What does it mean to you? Munsha: "Who Will Play After?" comes from a sense of parting and from a questions that kept happening in my mind, such as 'who will take my place?' who will replace my role?' It's a game between time and space and the role that we'd like to play with them, so I put new masks on and I turned my machines on…The loss of indisputable affections, small things forgotten or pushed aside, learning new places - as it was after I moved to Berlin, the blue feeling for what I left behind, at times a bit of fear too... All these the parts I tried to translate into a sound, almost without even realizing it. Indeed, what may be identified as the concept of this production (if we really need it) has emerged at completed work. It was like lingering on an old photo and then suddenly lost memories crop up.

KVK: What was your writing process for the album?  How long did it take you to complete the writing and recording?
M: During the EP production I only followed a kind of flow...performing on a mechanical and (at times) a jagged rhythm as if I was a cog in a machine. I think it came as an evolution of totally new experiences and sensations that do not deny themselves.



KVK: How did living/working in Berlin influence the sound and design of the project? M: The Berlin experience helped to strengthen my multiple senses of belonging. I was (and still am) a cog in many wheels and I live in a city full of experience and stories - as impressive as private - in which every little tile is at the same time crucial and expendable. I took inspiration from this feeling to conceive the EP cover art, letting my imagination run wild. Whereas on one hand a man wears his clothes in order to play a role in larger devices of society, on the other hand there's the same man with his personal identity and probably something behind to remember. Herr Fritz [the man whose image inspired the album artwork] is still part of this city: wryly in his underwear, ruthlessly sold with awful home furnishings and worn-out clothes.

KVK: How was creating this EP for yourself different from the composing/writing for theater pieces, installations, or your work with the The Max Maffia &The Empty Daybox? M: I always have fun jumping into different musical backgrounds. I don't like to belong to a defined style or genre. Rather, I prefer to go along with an idea and expand the theme. Even though my productions may sound quite different one from the other, it is always me! That's why I can find a common thread between Munsha's songs and the "cinematic" and ambient project of Max Maffia & the Empty Daybox, or between the vocal experimentation and the Sound Design for Visual Arts. I find it amusing. It's a bit like looking through a broken mirror: multiple reflection angles of the same eyes.

Munsha's new EP "Who Will Play After? is available March 11, 2016 from GLITCH/Perfect Entropy Productions from Amazon, iTunes, and all Digital Music Outlets. "Who Will Play After Release Show - http://www.residentadvisor.net/event.aspx?814982 Munsha Live Dates - http://munsha.it/ GLITCH Label - http://perfect-entropy.com/glitch

New Single & EP from MUNSHA on GLITCH/Perfect Entropy Productions

Klaas von Karlos Mixtape for Freude von Freunden

A new mix of dark beats, ambient dirges, and subsonic vibrations . . .featuring tracks by ALEC EMPIRE, HYPE WILLIAMS, INGA COPELAND, KODE9, MAD PROFESSOR & MORE.  - -  KVK

Freunde von Freunden Mixtape #92 by Klaas von Karlos by Fvonf on Mixcloud